\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n
\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n
\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n
\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n
\"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

\"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

\"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

\"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n
<\/div>\n\n\n\n

You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

\"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

<\/div>\n\n\n\n

You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

\"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

<\/div>\n\n\n\n

You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

\"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n

What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

<\/div>\n\n\n\n

You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

\"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

\"frozen-2-kristoff-sven-reindeer-running-forest\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

\"frozen-2-still-elsa-nokk-water\"
\u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

Magical leaves. <\/strong><\/p>\n\n\n\n

Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

\"justin-sklar-supervising-animator-frozen-2\"
Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

4\/5 Stars<\/p>\n\n\n\n

Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

What is your favorite version of The Addams Family<\/em>?<\/h1>\n

P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n
  • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
  • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

    What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

    This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

    Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

    <\/div>\n\n\n\n

    You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

    Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

    And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

    \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
    \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

    What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

    The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

    And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

    What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

    I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

    As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

    You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

    I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

    When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

    Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

    I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

    It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

    \"frozen-2-kristoff-sven-reindeer-running-forest\"
    \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

    Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

    That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

    Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

    I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

    Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

    \"frozen-2-still-elsa-nokk-water\"
    \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

    In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

    I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

    Magical leaves. <\/strong><\/p>\n\n\n\n

    Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

    Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

    I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

    So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

    If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

    Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

    Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

    \"justin-sklar-supervising-animator-frozen-2\"
    Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

    <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

    I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

    Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

    Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

    The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

    Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

    I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

    It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

    4\/5 Stars<\/p>\n\n\n\n

    Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

    What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

    What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

    Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

    'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

    The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

    After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

    It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

    Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

    For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

    Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

    Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

    What is your favorite version of The Addams Family<\/em>?<\/h1>\n

    P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

    \n

    Find The Hosts<\/h2>\n\n\n\n
    • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
    • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

      What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

      This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

      Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

      <\/div>\n\n\n\n

      You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

      Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

      And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

      \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
      \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

      What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

      The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

      And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

      What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

      I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

      As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

      You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

      I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

      When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

      Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

      I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

      It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

      \"frozen-2-kristoff-sven-reindeer-running-forest\"
      \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

      Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

      That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

      Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

      I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

      Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

      \"frozen-2-still-elsa-nokk-water\"
      \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

      In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

      I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

      Magical leaves. <\/strong><\/p>\n\n\n\n

      Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

      Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

      I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

      So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

      If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

      Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

      Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

      \"justin-sklar-supervising-animator-frozen-2\"
      Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

      <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

      I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

      Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

      Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

      The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

      Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

      I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

      It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

      4\/5 Stars<\/p>\n\n\n\n

      Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

      What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

      What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

      Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

      'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

      The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

      After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

      It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

      Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

      For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

      Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

      Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

      What is your favorite version of The Addams Family<\/em>?<\/h1>\n

      P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

      \n
      • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
      • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
      • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

        Find The Hosts<\/h2>\n\n\n\n
        • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
        • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

          What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

          This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

          Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

          <\/div>\n\n\n\n

          You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

          Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

          And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

          \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

          What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

          The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

          And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

          What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

          I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

          As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

          You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

          I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

          When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

          Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

          I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

          It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

          \"frozen-2-kristoff-sven-reindeer-running-forest\"
          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

          Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

          That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

          Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

          I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

          Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

          \"frozen-2-still-elsa-nokk-water\"
          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

          In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

          I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

          Magical leaves. <\/strong><\/p>\n\n\n\n

          Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

          Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

          I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

          So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

          If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

          Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

          Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

          \"justin-sklar-supervising-animator-frozen-2\"
          Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

          <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

          I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

          Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

          Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

          The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

          Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

          I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

          It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

          4\/5 Stars<\/p>\n\n\n\n

          Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

          What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

          What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

          Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

          'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

          The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

          After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

          It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

          Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

          For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

          Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

          Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

          What is your favorite version of The Addams Family<\/em>?<\/h1>\n

          P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

          \n

          Find the Rotoscopers<\/h2>\n\n\n\n
          • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
          • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
          • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

            Find The Hosts<\/h2>\n\n\n\n
            • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
            • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

              What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

              This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

              Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

              <\/div>\n\n\n\n

              You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

              Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

              And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

              \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
              \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

              What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

              The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

              And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

              What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

              I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

              As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

              You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

              I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

              When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

              Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

              I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

              It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

              \"frozen-2-kristoff-sven-reindeer-running-forest\"
              \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

              Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

              That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

              Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

              I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

              Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

              \"frozen-2-still-elsa-nokk-water\"
              \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

              In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

              I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

              Magical leaves. <\/strong><\/p>\n\n\n\n

              Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

              Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

              I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

              So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

              If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

              Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

              Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

              \"justin-sklar-supervising-animator-frozen-2\"
              Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

              <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

              I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

              Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

              Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

              The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

              Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

              I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

              It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

              4\/5 Stars<\/p>\n\n\n\n

              Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

              What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

              What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

              Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

              'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

              The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

              After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

              It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

              Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

              For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

              Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

              Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

              What is your favorite version of The Addams Family<\/em>?<\/h1>\n

              P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

              \n
              • Amazon<\/a><\/li>
              • Audible<\/a><\/li><\/ul>\n\n\n\n

                Find the Rotoscopers<\/h2>\n\n\n\n
                • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
                • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
                • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

                  Find The Hosts<\/h2>\n\n\n\n
                  • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
                  • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

                    What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

                    This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

                    Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

                    <\/div>\n\n\n\n

                    You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

                    Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

                    And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

                    \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
                    \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                    What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

                    The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

                    And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

                    What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

                    I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

                    As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

                    You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

                    I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

                    When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

                    Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

                    I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

                    It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

                    \"frozen-2-kristoff-sven-reindeer-running-forest\"
                    \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                    Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

                    That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

                    Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

                    I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

                    Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

                    \"frozen-2-still-elsa-nokk-water\"
                    \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                    In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

                    I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

                    Magical leaves. <\/strong><\/p>\n\n\n\n

                    Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

                    Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

                    I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

                    So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

                    If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

                    Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

                    Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

                    \"justin-sklar-supervising-animator-frozen-2\"
                    Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

                    <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

                    I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

                    Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

                    Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

                    The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

                    Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

                    I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

                    It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

                    4\/5 Stars<\/p>\n\n\n\n

                    Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

                    What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

                    What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

                    Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

                    'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

                    The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

                    After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

                    It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

                    Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

                    For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

                    Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

                    Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

                    What is your favorite version of The Addams Family<\/em>?<\/h1>\n

                    P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

                    \n

                    Support the Show!<\/h2>\n\n\n\n
                    • Amazon<\/a><\/li>
                    • Audible<\/a><\/li><\/ul>\n\n\n\n

                      Find the Rotoscopers<\/h2>\n\n\n\n
                      • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
                      • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
                      • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

                        Find The Hosts<\/h2>\n\n\n\n
                        • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
                        • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

                          What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

                          This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

                          Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

                          <\/div>\n\n\n\n

                          You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

                          Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

                          And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

                          \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
                          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                          What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

                          The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

                          And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

                          What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

                          I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

                          As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

                          You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

                          I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

                          When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

                          Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

                          I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

                          It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

                          \"frozen-2-kristoff-sven-reindeer-running-forest\"
                          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                          Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

                          That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

                          Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

                          I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

                          Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

                          \"frozen-2-still-elsa-nokk-water\"
                          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                          In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

                          I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

                          Magical leaves. <\/strong><\/p>\n\n\n\n

                          Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

                          Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

                          I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

                          So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

                          If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

                          Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

                          Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

                          \"justin-sklar-supervising-animator-frozen-2\"
                          Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

                          <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

                          I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

                          Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

                          Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

                          The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

                          Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

                          I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

                          It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

                          4\/5 Stars<\/p>\n\n\n\n

                          Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

                          What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

                          What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

                          Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

                          'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

                          The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

                          After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

                          It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

                          Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

                          For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

                          Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

                          Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

                          What is your favorite version of The Addams Family<\/em>?<\/h1>\n

                          P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

                          \n
                          • All Frozember<\/a> articles<\/li><\/ul>\n\n\n\n

                            Support the Show!<\/h2>\n\n\n\n
                            • Amazon<\/a><\/li>
                            • Audible<\/a><\/li><\/ul>\n\n\n\n

                              Find the Rotoscopers<\/h2>\n\n\n\n
                              • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
                              • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
                              • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

                                Find The Hosts<\/h2>\n\n\n\n
                                • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
                                • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

                                  What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

                                  This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

                                  Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

                                  <\/div>\n\n\n\n

                                  You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

                                  Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

                                  And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

                                  \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
                                  \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                  What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

                                  The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

                                  And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

                                  What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

                                  I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

                                  As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

                                  You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

                                  I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

                                  When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

                                  Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

                                  I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

                                  It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

                                  \"frozen-2-kristoff-sven-reindeer-running-forest\"
                                  \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                  Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

                                  That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

                                  Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

                                  I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

                                  Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

                                  \"frozen-2-still-elsa-nokk-water\"
                                  \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                  In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

                                  I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

                                  Magical leaves. <\/strong><\/p>\n\n\n\n

                                  Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

                                  Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

                                  I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

                                  So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

                                  If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

                                  Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

                                  Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

                                  \"justin-sklar-supervising-animator-frozen-2\"
                                  Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

                                  <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

                                  I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

                                  Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

                                  Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

                                  The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

                                  Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

                                  I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

                                  It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

                                  4\/5 Stars<\/p>\n\n\n\n

                                  Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

                                  What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

                                  What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

                                  Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

                                  'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

                                  The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

                                  After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

                                  It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

                                  Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

                                  For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

                                  Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

                                  Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

                                  What is your favorite version of The Addams Family<\/em>?<\/h1>\n

                                  P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

                                  \n

                                  Links<\/h2>\n\n\n\n
                                  • All Frozember<\/a> articles<\/li><\/ul>\n\n\n\n

                                    Support the Show!<\/h2>\n\n\n\n
                                    • Amazon<\/a><\/li>
                                    • Audible<\/a><\/li><\/ul>\n\n\n\n

                                      Find the Rotoscopers<\/h2>\n\n\n\n
                                      • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
                                      • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
                                      • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

                                        Find The Hosts<\/h2>\n\n\n\n
                                        • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
                                        • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

                                          What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

                                          This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

                                          Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

                                          <\/div>\n\n\n\n

                                          You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

                                          Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

                                          And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

                                          \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
                                          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                          What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

                                          The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

                                          And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

                                          What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

                                          I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

                                          As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

                                          You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

                                          I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

                                          When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

                                          Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

                                          I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

                                          It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

                                          \"frozen-2-kristoff-sven-reindeer-running-forest\"
                                          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                          Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

                                          That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

                                          Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

                                          I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

                                          Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

                                          \"frozen-2-still-elsa-nokk-water\"
                                          \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                          In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

                                          I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

                                          Magical leaves. <\/strong><\/p>\n\n\n\n

                                          Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

                                          Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

                                          I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

                                          So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

                                          If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

                                          Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

                                          Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

                                          \"justin-sklar-supervising-animator-frozen-2\"
                                          Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

                                          <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

                                          I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

                                          Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

                                          Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

                                          The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

                                          Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

                                          I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

                                          It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

                                          4\/5 Stars<\/p>\n\n\n\n

                                          Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

                                          What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

                                          What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

                                          Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

                                          'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

                                          The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

                                          After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

                                          It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

                                          Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

                                          For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

                                          Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

                                          Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

                                          What is your favorite version of The Addams Family<\/em>?<\/h1>\n

                                          P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

                                          \n

                                          Runtime:\u00a0<\/strong>00:48:02, 70.7 MB<\/p>\n\n\n\n

                                          Links<\/h2>\n\n\n\n
                                          • All Frozember<\/a> articles<\/li><\/ul>\n\n\n\n

                                            Support the Show!<\/h2>\n\n\n\n
                                            • Amazon<\/a><\/li>
                                            • Audible<\/a><\/li><\/ul>\n\n\n\n

                                              Find the Rotoscopers<\/h2>\n\n\n\n
                                              • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
                                              • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
                                              • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

                                                Find The Hosts<\/h2>\n\n\n\n
                                                • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
                                                • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

                                                  What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

                                                  This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

                                                  Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

                                                  <\/div>\n\n\n\n

                                                  You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

                                                  Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

                                                  And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

                                                  \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
                                                  \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                  What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

                                                  The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

                                                  And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

                                                  What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

                                                  I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

                                                  As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

                                                  You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

                                                  I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

                                                  When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

                                                  Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

                                                  I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

                                                  It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

                                                  \"frozen-2-kristoff-sven-reindeer-running-forest\"
                                                  \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                  Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

                                                  That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

                                                  Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

                                                  I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

                                                  Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

                                                  \"frozen-2-still-elsa-nokk-water\"
                                                  \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                  In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

                                                  I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

                                                  Magical leaves. <\/strong><\/p>\n\n\n\n

                                                  Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

                                                  Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

                                                  I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

                                                  So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

                                                  If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

                                                  Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

                                                  Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

                                                  \"justin-sklar-supervising-animator-frozen-2\"
                                                  Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                  <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

                                                  I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

                                                  Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

                                                  Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

                                                  The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

                                                  Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

                                                  I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

                                                  It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

                                                  4\/5 Stars<\/p>\n\n\n\n

                                                  Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

                                                  What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

                                                  What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

                                                  Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

                                                  'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

                                                  The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

                                                  After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

                                                  It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

                                                  Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

                                                  For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

                                                  Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

                                                  Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

                                                  What is your favorite version of The Addams Family<\/em>?<\/h1>\n

                                                  P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

                                                  \n
                                                  • Nerdy Couch Discussion: The Frozen<\/em> Phenomenon<\/li>
                                                  • Main discussion: Here we discus Frozen Fever<\/em> (2014) and Olaf's Frozen Adventure<\/em> (2017) <\/li>
                                                  • What did we love? What could we do without? <\/li>
                                                  • Morgan's Mic Drop moment... It's a good one.<\/li>
                                                  • We rate it!<\/li>
                                                  • Voicemails: August<\/li>
                                                  • Don't forget to use the hashtags #AnimationAddicts<\/a> and tag @Rotoscopers when talking about this episode on social media!<\/li><\/ul>\n\n\n\n

                                                    Runtime:\u00a0<\/strong>00:48:02, 70.7 MB<\/p>\n\n\n\n

                                                    Links<\/h2>\n\n\n\n
                                                    • All Frozember<\/a> articles<\/li><\/ul>\n\n\n\n

                                                      Support the Show!<\/h2>\n\n\n\n
                                                      • Amazon<\/a><\/li>
                                                      • Audible<\/a><\/li><\/ul>\n\n\n\n

                                                        Find the Rotoscopers<\/h2>\n\n\n\n
                                                        • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
                                                        • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
                                                        • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

                                                          Find The Hosts<\/h2>\n\n\n\n
                                                          • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
                                                          • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

                                                            What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

                                                            This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

                                                            Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

                                                            <\/div>\n\n\n\n

                                                            You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

                                                            Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

                                                            And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

                                                            \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
                                                            \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                            What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

                                                            The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

                                                            And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

                                                            What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

                                                            I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

                                                            As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

                                                            You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

                                                            I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

                                                            When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

                                                            Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

                                                            I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

                                                            It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

                                                            \"frozen-2-kristoff-sven-reindeer-running-forest\"
                                                            \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                            Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

                                                            That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

                                                            Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

                                                            I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

                                                            Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

                                                            \"frozen-2-still-elsa-nokk-water\"
                                                            \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                            In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

                                                            I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

                                                            Magical leaves. <\/strong><\/p>\n\n\n\n

                                                            Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

                                                            Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

                                                            I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

                                                            So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

                                                            If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

                                                            Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

                                                            Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

                                                            \"justin-sklar-supervising-animator-frozen-2\"
                                                            Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                            <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

                                                            I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

                                                            Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

                                                            Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

                                                            The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

                                                            Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

                                                            I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

                                                            It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

                                                            4\/5 Stars<\/p>\n\n\n\n

                                                            Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

                                                            What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

                                                            What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

                                                            Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

                                                            'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

                                                            The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

                                                            After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

                                                            It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

                                                            Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

                                                            For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

                                                            Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

                                                            Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

                                                            What is your favorite version of The Addams Family<\/em>?<\/h1>\n

                                                            P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

                                                            \n

                                                            Highlights<\/h2>\n\n\n\n
                                                            • Nerdy Couch Discussion: The Frozen<\/em> Phenomenon<\/li>
                                                            • Main discussion: Here we discus Frozen Fever<\/em> (2014) and Olaf's Frozen Adventure<\/em> (2017) <\/li>
                                                            • What did we love? What could we do without? <\/li>
                                                            • Morgan's Mic Drop moment... It's a good one.<\/li>
                                                            • We rate it!<\/li>
                                                            • Voicemails: August<\/li>
                                                            • Don't forget to use the hashtags #AnimationAddicts<\/a> and tag @Rotoscopers when talking about this episode on social media!<\/li><\/ul>\n\n\n\n

                                                              Runtime:\u00a0<\/strong>00:48:02, 70.7 MB<\/p>\n\n\n\n

                                                              Links<\/h2>\n\n\n\n
                                                              • All Frozember<\/a> articles<\/li><\/ul>\n\n\n\n

                                                                Support the Show!<\/h2>\n\n\n\n
                                                                • Amazon<\/a><\/li>
                                                                • Audible<\/a><\/li><\/ul>\n\n\n\n

                                                                  Find the Rotoscopers<\/h2>\n\n\n\n
                                                                  • Find us on the web: Rotoscopers.com<\/a>, Twitter<\/a>, Facebook<\/a>, YouTube<\/a>, Tumblr<\/a> & Instagram<\/a><\/li>
                                                                  • Voicemail: rotoscopers.com\/voicemails<\/a> or call (406) 646-6575<\/strong>.<\/li>
                                                                  • Email newsletter<\/a><\/li><\/ul>\n\n\n\n

                                                                    Find The Hosts<\/h2>\n\n\n\n
                                                                    • Morgan Stradling: Website<\/a>, YouTube<\/a>, Instagram<\/a>, Twitter<\/a><\/li>
                                                                    • Chelsea Robson: Website<\/a>, Instagram<\/a>, & Twitter<\/a><\/li><\/ul>\n\n\n\n

                                                                      What would you rate Frozen Fever<\/em> and Olaf's Frozen Adventure<\/em>?<\/h3>\n","post_title":"Animation Addicts Podcast #173: 'Frozen Fever' & 'Olaf's Frozen Adventure' (Frozen Shorts) - Mic Drop","post_excerpt":"Morgan and Chelsea are back in episode 173 of the Animation Addicts Podcast to discuss the two Frozen shorts, 'Frozen Fever' & 'Olaf's Frozen Adventure'.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-podcast-173-frozen-fever-olafs-frozen-adventure","to_ping":"","pinged":"","post_modified":"2020-02-12 11:09:33","post_modified_gmt":"2020-02-12 18:09:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55049","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54992,"post_author":"3","post_date":"2019-11-18 13:48:19","post_date_gmt":"2019-11-18 20:48:19","post_content":"\n

                                                                      This interview features Justin Sklar, supervising animator on Frozen<\/strong> 2<\/strong><\/em>. who supervised and directed the characters of Kristoff and Lieutenant Mattias.<\/p>\n\n\n\n

                                                                      Sklar joined Walt Disney Animation Studios in 2011 and has worked on Wreck-It Ralph<\/em>, Frozen<\/em>, Big Hero 7<\/em>, Zootopia<\/em>, and Moana<\/em>. He was promoted to supervising animator in Ralph Breaks the Internet<\/em>, a role he continued in Frozen 2<\/em>. He sat down with Rotoscopers to discuss the transition from animator to supervising animator, working on a sequel, and the unique challenges the animation team faced in Frozen 2<\/em>. <\/p>\n\n\n\n

                                                                      <\/div>\n\n\n\n

                                                                      You became a full-time animator on Frozen<\/em>, so Frozen<\/em> plays a really big part in your career. Can you share a little bit about what that means to you?<\/strong><\/p>\n\n\n\n

                                                                      Justin Sklar: Yeah, I mean it's interesting because when we were working on that movie, it was not what Frozen<\/em> is, so for me it was just kind of like, \"Cool, they're letting me animate real stuff now.\"<\/p>\n\n\n\n

                                                                      And I mean, I got a lot of opportunities on that movie. Like I was very lucky with how I got cast. I think, I, weirdly, I have a lot of like the mannerisms that make sense for Elsa. I was just like the guy who's doing this a lot in the movie. And because of that, I know Wayne, who was the supervisor for Elsa on that movie and this movie, just ended up casting me a lot. I just got a lot of super cool opportunities, so it worked out very well for me that Frozen<\/em> very well. But I think, I don't know, that was a movie where I grew a lot, because I think they would give me something and then I would do well on it, and then they would give me something bigger and that kind of progressed through the movie, so that was good for me.<\/p>\n\n\n\n

                                                                      \"frozen-2-still-anna-elsa-mattias-enchanted-forest\"
                                                                      \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                                      What are some of the high-level differences from your position as an animator on Frozen<\/em> to supervising animator of Kristoff and Lieutenant Mattias on Frozen 2<\/em>?<\/strong><\/p>\n\n\n\n

                                                                      The main difference is I don't animate as much as the supervising animator. But basically what I'm doing is I'm keeping track of how each of my characters is supposed to behave, and the case of Mattias, trying to really define how he moves. In the case of Kristoff, it's trying to distill what we did in the first movie into something that we can communicate to the animators.<\/p>\n\n\n\n

                                                                      And I'm working with other departments to help set up sequences, and then working with the animators and directors to really build the final performance; where as an animator, you get shots, you animate the shots, and then people cast you onto different sequences based on what they think you're good at.<\/p>\n\n\n\n

                                                                      What are some of the highlights of being a supervising animator?<\/strong><\/p>\n\n\n\n

                                                                      I mean for me, most of the reason I'm in animation is because I like to solve problems and puzzles. And animation, just in general when you're animating a shot, is a lot about understanding how something works and understanding how you can organize all of these little pieces in such a way that it tells the story and is emotional and is appealing.<\/p>\n\n\n\n

                                                                      As a supervisor, I'm doing the same thing, except kind of on a bigger level. There's a lot of managing how we're going to do stuff and how we're going to approach problems, so this is a lot of fun for me.<\/p>\n\n\n\n

                                                                      You said that you're not doing as much animating. Is that sad or are you good with that?<\/strong><\/p>\n\n\n\n

                                                                      I mean, I'm okay with that. I think we definitely have the ability as supervisors to cast ourselves in more things if we want. For me, I feel like I'm most impactful when I can help other people raise the level of their animation and help the other animators interact with directors, so I'm fine not animating.<\/p>\n\n\n\n

                                                                      When you were going back to these characters for Frozen 2<\/em>, did you have to basically start from rigging and everything from the beginning or did you have something as far as that you could pull over?<\/strong><\/p>\n\n\n\n

                                                                      Frozen<\/em> is an interesting one for that because since we've done a couple shorts in the meantime, we've iterated on them each a little every time. We've upgraded their models a little bit and made microscopic changes that we like, but that no one can see, and we read on the rigs a couple of times.<\/p>\n\n\n\n

                                                                      I think on Frozen<\/em> as compared to something like a Ralph Breaks the Internet<\/em>. In Ralph Breaks the Internet<\/em>, we had to start from scratch because we hadn't touched those characters in six years. With these, I think we had something close, but we definitely [had to go in and re-rigg]. Like I helped set up Kristoff and it took us three or four months to set him up, even though we had already done him once.<\/p>\n\n\n\n

                                                                      It just becomes easier because you know what the goal is much sooner, but it's still plenty of work to make everything the latest and greatest and do what we need to do at this point.<\/p>\n\n\n\n

                                                                      \"frozen-2-kristoff-sven-reindeer-running-forest\"
                                                                      \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                                      Kristoff's song, \"Lost in the Woods\"<\/a>, is an amazing sequence in the film, not only musically but also because the visuals take it to another level. What were some of the big, fun things out of that sequence that you were able to handle?<\/strong><\/p>\n\n\n\n

                                                                      That sequence is really interesting for us, because our instinct as animators is to do the craziest version of that. You want to go full 100% cheese ridiculous in every shot, but I don't think that sequence works if you do that. We were trying very carefully to balance, how do you make it so it's fun and it's cheesy and it does all of the things that you want to do with this 80s vibe, but also Kristoff kind of has to be sincere about it. Kristoff's not winking at the audience, so how do we balance letting him be fun and letting the sequence be fun and funny and give the audience permission to laugh. But also how do you keep Kristoff in a space where he's genuinely expressing his feelings through this song? That was a tricky one for us to balance, and it changed a little bit along the way.<\/p>\n\n\n\n

                                                                      Since <\/strong>Frozen<\/strong><\/em> wasn't yet the phenomenon when you worked on it, obviously you had no expectations. I mean, everyone has expectations, but not to the extent that it became. Was there pressure that you and the team felt going into the new one?<\/strong><\/p>\n\n\n\n

                                                                      I don't think there was any. I mean for us there wasn't any more pressure than any other movie. We want every move we make to be great. Especially in animation, there's this thing where, I imagine this is the experience that you have when you're an actor in a live-action film, where you spend all time trying to understand how this character works and what it means to be this character. And we spent a year doing that and then the movie ends and then you're like, \"I figured it out!\" And then you can't do anything with that.<\/p>\n\n\n\n

                                                                      Being able to jump back into that with all of the knowledge that we already have makes things, A, a lot easier for us because we kind of understand where we need to go. But it's fun because it gives us a chance to improve on this stuff rather than spend a whole movie trying to figure it out.<\/p>\n\n\n\n

                                                                      \"frozen-2-still-elsa-nokk-water\"
                                                                      \u00a92019 Disney. All Rights Reserved.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                                      In Frozen<\/em>, snow was one of the big technical advances, but what were some of the technical challenges in Frozen 2<\/em> ?<\/strong><\/p>\n\n\n\n

                                                                      I think the biggest things in this movie were probably the water. There's a lot of water and we're doing a lot of things like a horse made of water interacting with water. That stuff is very complicated. We learned a lot from Moana<\/em>, which we brought into this movie. Gale was a big challenge for us because we had to figure out how do you animate wind, which is not a thing that you can see?<\/p>\n\n\n\n

                                                                      Magical leaves. <\/strong><\/p>\n\n\n\n

                                                                      Right! So we did a lot of work to figure out, A) what is the thing that we're actually going to animate? And we have a rig that basically is what Gale is, but you don't end up seeing on screen. Then figuring out, B) how many leaves do we have to hand animate in the shot to make it clear what we need so that effects can reproduce them and make the full scope of Gale. And just how are we going to work as a bunch of departments to build this character?<\/p>\n\n\n\n

                                                                      Our readers love Easter eggs. Are there any hints to Easter eggs that we can look for?<\/strong><\/p>\n\n\n\n

                                                                      I think there are some, but I would be lying if I told you I knew where they were there. The way that we've done it in the last couple of movies, it's just people kind of sneak stuff in, and so those people know where it is. And then I usually find out when somebody makes a list of them like, ah, there they are. Cool.<\/p>\n\n\n\n

                                                                      So do you think we'll get a <\/strong>Frozen 3<\/strong><\/em>?<\/strong><\/p>\n\n\n\n

                                                                      If the directors have a story for it, then we'll get it a Frozen 3<\/em>, but I don't, I think right now they're pretty happy with Frozen 2<\/em>.<\/p>\n\n\n\n

                                                                      Frozen 2<\/em> hits theaters November 22, 2019.<\/p>\n\n\n\n

                                                                      Thank you to Justin for the interview and to Fingerpaint Film for the opportunity!<\/em><\/p>\n\n\n\n

                                                                      \"justin-sklar-supervising-animator-frozen-2\"
                                                                      Justin Sklar, supervising animator on Frozen 2<\/em> for Walt Disney Animation Studios.<\/figcaption><\/figure><\/div>\n\n\n\n

                                                                      <\/p>\n","post_title":"[INTERVIEW] Justin Sklar, Supervising Animator on 'Frozen 2'","post_excerpt":"A FROZEN 2 interview with supervising animator Justin Sklar, who supervised and directed the characters of Kristoff & Lieutenant Mattias.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"interview-justin-sklar-supervising-animator-on-frozen-2","to_ping":"","pinged":"","post_modified":"2019-11-18 13:51:31","post_modified_gmt":"2019-11-18 20:51:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54992","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54764,"post_author":"3","post_date":"2019-11-07 15:18:01","post_date_gmt":"2019-11-07 22:18:01","post_content":"\n

                                                                      I cried. I can admit it. There was a tear. <\/p>\n\n\n\n

                                                                      Last Christmas<\/em> is a romantic comedy that has fun characters, a thoughtful plot line, and is basically a love letter to the late George Michael's music.<\/p>\n\n\n\n

                                                                      Kate, a young woman played by Emilia Clarke, is lost in a quarter-life crisis. Everything seems to be crashing in on itself when she meets the very handsome and overly cheerful young man,(Henry Golding) named Tom. A trust grows and he helps her break her rotten streak in oder to get her life back on track. <\/p>\n\n\n\n

                                                                      The main things that I liked about this film was the cast. Each of the main characters is likable in their own way and there are wonderfully dynamic side characters that keep you smiling as the film goes on. <\/p>\n\n\n\n

                                                                      Emilia Clarke and Henry Golding are so likable in this film. That isn't surprising for either, but it still deserves to be mentioned. Henry Golding, in particular, is so carefree and goodhearted that it is hard to take your eyes off him whenever he is on screen. There is a complexity to their relationship that both are able emote that really got to me. It was a mixture of gratitude for stability mixed with a sense of morning of what was, what is, and what could have been. <\/p>\n\n\n\n

                                                                      I liked the fun pacing of director, Paul Feig, (Crazy Rich Asians<\/em> ) and seeing a few familiar faces like Emma Thompson (Saving Mr. Banks<\/a><\/em>, Beauty and the Beast<\/a><\/em>) and Michelle Yeoh (Kung Fu Panda 2<\/a>,<\/em> Crazy Rich Asians<\/em>) <\/p>\n\n\n\n

                                                                      It isn't exactly what I thought it would be, but Last Christmas<\/em> has the power to stick with you. <\/p>\n\n\n\n

                                                                      4\/5 Stars<\/p>\n\n\n\n

                                                                      Have you seen Last Christmas<\/em>? What did you think?<\/h2>\n","post_title":"'Last Christmas' Review","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"last-christmas-review","to_ping":"","pinged":"","post_modified":"2019-11-08 20:31:13","post_modified_gmt":"2019-11-09 03:31:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54764","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54530,"post_author":"3","post_date":"2019-10-22 13:23:47","post_date_gmt":"2019-10-22 20:23:47","post_content":"One of the greatest inventions of the industrial age was that of harnessing electricity. The Current War: Director's Cut<\/em><\/strong> focuses on Thomas Edison and George Westinghouse as they are in a war to win the contract to light the Chicago World's Fair. This would set the stage for companies to solidify their place as the biggest in the world and affect how the modern world would function from then on.\n

                                                                      What I liked about this movie:<\/h3>\nI really like historical films and even better when they bring back a piece of history whose effects on the world are largely taken for granted. Case and point: Power. We don't think about it; it is just there. Seeing Benedict Cumberbatch and Michael Shannon take on the rolls of Thomas Edison and George Westinghouse, respectively, was really fun. Both of them deliver great performances.\n

                                                                      What I didn't like about this movie:<\/h3>\nIt was a little slow and, like most historically based films, left out a lot of points. Now, that is completely subjective and is basically a discussion on my opinion of what was more important than what they thought should be included as a story narrative, but I digress.\n\nThis movie isn't for everyone, but if you like historical dramas, I think you'll like this one.\n\n3\/5 Stars\n

                                                                      Have you seen The Current War<\/em>? Let us know your opinion in the comments!<\/h1>\nEdited by: Kelly Conley","post_title":"[REVIEW] 'The Current War: Director's Cut'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"the-current-war-directors-cut-movie-review","to_ping":"","pinged":"","post_modified":"2019-10-28 18:03:14","post_modified_gmt":"2019-10-29 01:03:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53834","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54523,"post_author":"3","post_date":"2019-10-15 17:16:04","post_date_gmt":"2019-10-16 00:16:04","post_content":"

                                                                      'Maleficent: Mistress Of Evil' is part two of the live-action story that started with the 2014 film, 'Maleficent.<\/i>' I liked this movie but I'm still not sure who it was meant for.<\/p>\n'Maleficent<\/i>' left us looking at \"true love's kiss\" in a new light. Part two follows young love as Princess Aurora (Elle Fanning) and Prince Phillip (Harris Dickinson) of are set to be married. Maleficent (Angelina Jolie) is invited to dine with Aurora and the Prince's parents, King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer.) Tensions grow as discussion of how fairy folk have come up missing and humans were found dead in the Moors. The film, 'Maleficent: Mistress Of Evil<\/em>,' expands on the origins of Maleficent, herself, and asks \"can there truly be peace in all the land?\"<\/em>\n\nAesthetically, this movie was gorgeous. The architecture of the palace and its grounds was inspiring. The whimsy of the fairy's home, the Moors, was elegant and dreamy. The costumes and visual effects of the characters were entrancing. I just couldn't look away. There was one specific shot when Maleficent wakes up in an unknown location after being wounded. It plays with monochromatic shades and flowing lines and it made me wish I could rewind.\n\nThe storyline had a couple interesting turns that I wasn't expecting. After the fact, I said \"of course!\" and appreciated the turns. However, there were a lot of convenient ways they tried to tie up loose ends that seemed far from believable. For example, there is A LOT of death. And not just \"we're at war so there are bond to be casualties\" kind of death. It's a slow, drawn out, and... well, evil<\/em> kind of killing.\n\nThe title says \"Mistress of Evil.\"<\/em> So, evil characters didn't bug me. It was just that within one speech, it goes from an all out massacre to a joyful wedding scene where all is forgiven and everyone is best friends. I like when the photography is monochromatic but I don't believe the acting mood should be. Thinking about it, I don't feel like any of the characters had much of an arch. While that didn't stand out or bug me at the time, that was probably what made the difference from good to great.\n\nThe main problem I saw was that I didn't know who the audience was supposed to be. The ending made it seem like it was for kids but everything before that seemed much more toward the teen and adult audience. As I walked out after the show, I though it was enjoyable. The pluses out weighed the minuses for a first time viewing but the replay value was low. I probably wouldn't watch it again but I think I'll keep an eye out for the art book.\n\n3.5 of 5 stars","post_title":"'Maleficent: Mistress Of Evil' is beautiful, but....","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"maleficent2review","to_ping":"","pinged":"","post_modified":"2019-10-28 17:39:20","post_modified_gmt":"2019-10-29 00:39:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53770","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54519,"post_author":"3","post_date":"2019-10-10 15:34:37","post_date_gmt":"2019-10-10 22:34:37","post_content":"

                                                                      The classic characters by cartoonist, Charles Addams, have made their way through every entertainment medium. They started in a comic strip, then went to live action and classic hand-drawn animation television series. Most recently, they made it to a live action movie franchise, and there was even a Broadway musical. Now, MGM brings us this CGI animation iteration. Let's face it: this family can't stay out of popular culture. So, embrace it. Bring on the snaps! This year, we're bringing \"ooky\" back!<\/p>\n

                                                                      After being chased out of town by an angry mob following the wedding of Morticia and Gomez, we are introduced to the Addams family's plight. They just want to have a home where they can buy funeral plots. So, of course, they pick New Jersey. They can't stay hidden forever, and when a television reality show builds a town next door they have to open up and see if they can finally mix with the crowds.<\/p>\n

                                                                      It took a little bit to introduce the real conflict of the story. Once it did, though, I felt like it was predictable in all the good ways. They used classic lines from the show, and each character was true to the source material. Lurch was probably my favorite, though they all added enough comedy to keep it lighthearted.<\/p>\n\"\"\n

                                                                      Will it be a critical success in the way of character depth and artistic advancement? Probably not. The moral of the story kind of hits you over the head, and it's pretty predictable. However, I wasn\u2019t really expecting much more than what I got. I had no complaints with the voice cast<\/a>. The comedic timing isn't as good as what I remembered from the 1964, live-action television series, starring John Astin and Carolyn Jones.<\/p>\n

                                                                      For a modern family going to the movies during the fall season, this should be a fun time. It took all the best elements from the source and then added modern-day plot aspects like social media and home improvement shows. Finally, it got you singing (and snapping) at the end.<\/p>\n\"\"\n

                                                                      Speaking of music, I thought it had an interesting flair. Nice range of genres and styles throughout which also helped to bridge the gaps in age differences in the prospective audience.<\/p>\n

                                                                      Not a whole lot of replay value, but I could probably watch it again and laugh. If you are looking for a giggle and a hefty helping of nostalgia, this will do.<\/p>\n\n

                                                                      What is your favorite version of The Addams Family<\/em>?<\/h1>\n

                                                                      P.S. Did I really cross reference Justin Timberlake with The Addams Family<\/em>? Yes, yes I did. And, I'm not sorry.<\/p>\nEdited by: Kelly Conley","post_title":"'The Addams Family' Movie Is Bringing \"Ooky\" Back","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"addamsfamilyreview","to_ping":"","pinged":"","post_modified":"2019-10-28 17:37:35","post_modified_gmt":"2019-10-29 00:37:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=53733","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":17},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

                                                                      \n