\n

The dog-catcher character (Adrian Martinez) is another issue. Acting as the movie\u2019s answer to Cruella De Vil, he exists purely to add action and suspense. The problem is, these over-the-top attempts at drama don\u2019t fit within the framework of this simple story. Now I love me a good overarching villain, animated or otherwise, but Lady and the Tramp<\/em> did not call for one.<\/p>\n\n\n\n

In the year of her majesty 2019, I don\u2019t feel Lady and the Tramp<\/em> is the worst of Disney\u2019s three remakes<\/a>. Still, the movie\u2019s redeeming qualities are too minimal to warrant a recommendation. You\u2019re better off watching (or rewatching for the 50th time) the original 1955 version. <\/p>\n","post_title":"[REVIEW] \u2018Lady and the Tramp\u2019 is a Magical Mess","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"review-lady-and-the-tramp-is-a-magical-mess","to_ping":"","pinged":"","post_modified":"2019-11-18 12:39:04","post_modified_gmt":"2019-11-18 19:39:04","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=54901","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_3o3","class":"jnews_block_5"};

\n
\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Due to the COVID-19 pandemic that has shuttered movie theaters across North America, the release of Mulan<\/em> has been delayed indefinitely<\/a>.<\/p>\n\n\n\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

As someone who has criticized Disney\u2019s remakes for their unoriginality, these deviations seem promising. I feel a sense of intrigue, beyond the superficial, \u201cI wonder what X scene would look like in live-action\u201d as happened with the prior remakes. I\u2019m curious to see how this story plays out with its new elements. <\/p>\n\n\n\n

Due to the COVID-19 pandemic that has shuttered movie theaters across North America, the release of Mulan<\/em> has been delayed indefinitely<\/a>.<\/p>\n\n\n\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Unlike the other Disney Renaissance remakes thus far, Niki Caro\u2019s Mulan<\/em> deviates from the source material in major ways. Mushu, Shang, and the fan-favorite songs have all been cut. Shan Yu and his Huns have been replaced by Bori Khan (Jason Scott Lee) and the shapeshifing witch Xianniana (Gong Li), as the central antagonists. There\u2019s also a mystical Phoenix, who appears to fill the void left by Mushu. With a heavier emphasis on martial arts, the mystic, and the war itself, Caro\u2019s Mulan<\/em> sets out to deliver a grounded retelling of the ancient story.<\/p>\n\n\n\n

As someone who has criticized Disney\u2019s remakes for their unoriginality, these deviations seem promising. I feel a sense of intrigue, beyond the superficial, \u201cI wonder what X scene would look like in live-action\u201d as happened with the prior remakes. I\u2019m curious to see how this story plays out with its new elements. <\/p>\n\n\n\n

Due to the COVID-19 pandemic that has shuttered movie theaters across North America, the release of Mulan<\/em> has been delayed indefinitely<\/a>.<\/p>\n\n\n\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n
\"Disney\u2019s
Liu Yifei as Mulan<\/figcaption><\/figure><\/div>\n\n\n\n

Unlike the other Disney Renaissance remakes thus far, Niki Caro\u2019s Mulan<\/em> deviates from the source material in major ways. Mushu, Shang, and the fan-favorite songs have all been cut. Shan Yu and his Huns have been replaced by Bori Khan (Jason Scott Lee) and the shapeshifing witch Xianniana (Gong Li), as the central antagonists. There\u2019s also a mystical Phoenix, who appears to fill the void left by Mushu. With a heavier emphasis on martial arts, the mystic, and the war itself, Caro\u2019s Mulan<\/em> sets out to deliver a grounded retelling of the ancient story.<\/p>\n\n\n\n

As someone who has criticized Disney\u2019s remakes for their unoriginality, these deviations seem promising. I feel a sense of intrigue, beyond the superficial, \u201cI wonder what X scene would look like in live-action\u201d as happened with the prior remakes. I\u2019m curious to see how this story plays out with its new elements. <\/p>\n\n\n\n

Due to the COVID-19 pandemic that has shuttered movie theaters across North America, the release of Mulan<\/em> has been delayed indefinitely<\/a>.<\/p>\n\n\n\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Mulan<\/em> <\/h2>\n\n\n\n
\"Disney\u2019s
Liu Yifei as Mulan<\/figcaption><\/figure><\/div>\n\n\n\n

Unlike the other Disney Renaissance remakes thus far, Niki Caro\u2019s Mulan<\/em> deviates from the source material in major ways. Mushu, Shang, and the fan-favorite songs have all been cut. Shan Yu and his Huns have been replaced by Bori Khan (Jason Scott Lee) and the shapeshifing witch Xianniana (Gong Li), as the central antagonists. There\u2019s also a mystical Phoenix, who appears to fill the void left by Mushu. With a heavier emphasis on martial arts, the mystic, and the war itself, Caro\u2019s Mulan<\/em> sets out to deliver a grounded retelling of the ancient story.<\/p>\n\n\n\n

As someone who has criticized Disney\u2019s remakes for their unoriginality, these deviations seem promising. I feel a sense of intrigue, beyond the superficial, \u201cI wonder what X scene would look like in live-action\u201d as happened with the prior remakes. I\u2019m curious to see how this story plays out with its new elements. <\/p>\n\n\n\n

Due to the COVID-19 pandemic that has shuttered movie theaters across North America, the release of Mulan<\/em> has been delayed indefinitely<\/a>.<\/p>\n\n\n\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

With the blockbuster success of films like Beauty and the Beast<\/a><\/em> and The Lion King<\/a><\/em>, it\u2019s no wonder Walt Disney Pictures is putting its all into reimaginings of its animated library. Seemingly nothing\u2018s off the table at this point, with The Little Mermaid<\/em> on the way, and the likes of Lilo & Stitch<\/em> and Hercules<\/em> popping up in publications. With so much news circulating about these projects, I\u2019ve decided to compile what we know so far into one informative article. Here\u2019s the Disney Live-action Remake Roundup!<\/p>\n\n\n\n

Mulan<\/em> <\/h2>\n\n\n\n
\"Disney\u2019s
Liu Yifei as Mulan<\/figcaption><\/figure><\/div>\n\n\n\n

Unlike the other Disney Renaissance remakes thus far, Niki Caro\u2019s Mulan<\/em> deviates from the source material in major ways. Mushu, Shang, and the fan-favorite songs have all been cut. Shan Yu and his Huns have been replaced by Bori Khan (Jason Scott Lee) and the shapeshifing witch Xianniana (Gong Li), as the central antagonists. There\u2019s also a mystical Phoenix, who appears to fill the void left by Mushu. With a heavier emphasis on martial arts, the mystic, and the war itself, Caro\u2019s Mulan<\/em> sets out to deliver a grounded retelling of the ancient story.<\/p>\n\n\n\n

As someone who has criticized Disney\u2019s remakes for their unoriginality, these deviations seem promising. I feel a sense of intrigue, beyond the superficial, \u201cI wonder what X scene would look like in live-action\u201d as happened with the prior remakes. I\u2019m curious to see how this story plays out with its new elements. <\/p>\n\n\n\n

Due to the COVID-19 pandemic that has shuttered movie theaters across North America, the release of Mulan<\/em> has been delayed indefinitely<\/a>.<\/p>\n\n\n\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

Edited by: Kelly Conley<\/p>\n","post_title":"Studio Ghibli Announces First CGI Film, 'Aya and the Witch'","post_excerpt":"Quite a departure from Studio Ghibli's usual style!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"studio-ghibli-announces-first-cgi-film-aya-and-the-witch","to_ping":"","pinged":"","post_modified":"2020-06-20 18:16:47","post_modified_gmt":"2020-06-21 01:16:47","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=57085","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56502,"post_author":"57","post_date":"2020-05-28 05:36:33","post_date_gmt":"2020-05-28 12:36:33","post_content":"\n

With the blockbuster success of films like Beauty and the Beast<\/a><\/em> and The Lion King<\/a><\/em>, it\u2019s no wonder Walt Disney Pictures is putting its all into reimaginings of its animated library. Seemingly nothing\u2018s off the table at this point, with The Little Mermaid<\/em> on the way, and the likes of Lilo & Stitch<\/em> and Hercules<\/em> popping up in publications. With so much news circulating about these projects, I\u2019ve decided to compile what we know so far into one informative article. Here\u2019s the Disney Live-action Remake Roundup!<\/p>\n\n\n\n

Mulan<\/em> <\/h2>\n\n\n\n
\"Disney\u2019s
Liu Yifei as Mulan<\/figcaption><\/figure><\/div>\n\n\n\n

Unlike the other Disney Renaissance remakes thus far, Niki Caro\u2019s Mulan<\/em> deviates from the source material in major ways. Mushu, Shang, and the fan-favorite songs have all been cut. Shan Yu and his Huns have been replaced by Bori Khan (Jason Scott Lee) and the shapeshifing witch Xianniana (Gong Li), as the central antagonists. There\u2019s also a mystical Phoenix, who appears to fill the void left by Mushu. With a heavier emphasis on martial arts, the mystic, and the war itself, Caro\u2019s Mulan<\/em> sets out to deliver a grounded retelling of the ancient story.<\/p>\n\n\n\n

As someone who has criticized Disney\u2019s remakes for their unoriginality, these deviations seem promising. I feel a sense of intrigue, beyond the superficial, \u201cI wonder what X scene would look like in live-action\u201d as happened with the prior remakes. I\u2019m curious to see how this story plays out with its new elements. <\/p>\n\n\n\n

Due to the COVID-19 pandemic that has shuttered movie theaters across North America, the release of Mulan<\/em> has been delayed indefinitely<\/a>.<\/p>\n\n\n\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n

What do you think? Do you like the CGI?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Studio Ghibli Announces First CGI Film, 'Aya and the Witch'","post_excerpt":"Quite a departure from Studio Ghibli's usual style!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"studio-ghibli-announces-first-cgi-film-aya-and-the-witch","to_ping":"","pinged":"","post_modified":"2020-06-20 18:16:47","post_modified_gmt":"2020-06-21 01:16:47","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=57085","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56502,"post_author":"57","post_date":"2020-05-28 05:36:33","post_date_gmt":"2020-05-28 12:36:33","post_content":"\n

With the blockbuster success of films like Beauty and the Beast<\/a><\/em> and The Lion King<\/a><\/em>, it\u2019s no wonder Walt Disney Pictures is putting its all into reimaginings of its animated library. Seemingly nothing\u2018s off the table at this point, with The Little Mermaid<\/em> on the way, and the likes of Lilo & Stitch<\/em> and Hercules<\/em> popping up in publications. With so much news circulating about these projects, I\u2019ve decided to compile what we know so far into one informative article. Here\u2019s the Disney Live-action Remake Roundup!<\/p>\n\n\n\n

Mulan<\/em> <\/h2>\n\n\n\n
\"Disney\u2019s
Liu Yifei as Mulan<\/figcaption><\/figure><\/div>\n\n\n\n

Unlike the other Disney Renaissance remakes thus far, Niki Caro\u2019s Mulan<\/em> deviates from the source material in major ways. Mushu, Shang, and the fan-favorite songs have all been cut. Shan Yu and his Huns have been replaced by Bori Khan (Jason Scott Lee) and the shapeshifing witch Xianniana (Gong Li), as the central antagonists. There\u2019s also a mystical Phoenix, who appears to fill the void left by Mushu. With a heavier emphasis on martial arts, the mystic, and the war itself, Caro\u2019s Mulan<\/em> sets out to deliver a grounded retelling of the ancient story.<\/p>\n\n\n\n

As someone who has criticized Disney\u2019s remakes for their unoriginality, these deviations seem promising. I feel a sense of intrigue, beyond the superficial, \u201cI wonder what X scene would look like in live-action\u201d as happened with the prior remakes. I\u2019m curious to see how this story plays out with its new elements. <\/p>\n\n\n\n

Due to the COVID-19 pandemic that has shuttered movie theaters across North America, the release of Mulan<\/em> has been delayed indefinitely<\/a>.<\/p>\n\n\n\n

The Little Mermaid<\/em><\/h2>\n\n\n\n
\"Ariel<\/figure><\/div>\n\n\n\n

Rob Marshall\u2019s The Little Mermaid <\/em>sees the return of Alan Menken, who has confirmed to have co-written four new songs<\/a>, alongside Hamilton<\/em>\u2019s Lin-Manual Miranda. By the time of this writing, both the new and classic songs have all been recorded. Shooting was slated to begin in March 2020 but was delayed due to the COVID-19 outbreak. That aside, things seem to be moving along swimmingly (ha) with this new Mermaid<\/em>. Alongside Halle Bailey as Ariel, and Jonah Hauer-King as Prince Eric, Melissa McCarthy<\/a> was recently confirmed to play Ursula. Other such names as Awkwafina<\/a> (Scuttle) and David Diggs<\/a> (Sebastian) have also made headlines. It shouldn\u2019t be too long before a release date is finally announced. <\/p>\n\n\n\n

The Little Mermaid <\/em>is one of my favorite Disney movies, but I can\u2019t say I\u2019m excited about seeing creepy, hyper realistic seagulls and crabs singing to reggae hits. Regardless, I do appreciate the colorblind casting of Bailey, and the Menken-Miranda mashup sounds like a match made in heaven. If nothing else, this movie will likely be a treat for the ears.<\/p>\n\n\n\n

Bambi<\/em><\/h2>\n\n\n\n
\"Bambi<\/figure><\/div>\n\n\n\n

It\u2019s safe to say they\u2019re running out of ideas at this point. Yes, Bambi, Thumper, and Flower are returning to the big screen in what will be considered a \u201csuccessor\u201d to Jon Favreau's The Jungle Book<\/em> and The Lion King<\/em>. So, expect CGI deer, rabbits, and skunks against a photorealistic forest. Geneva Robertson-Dworet and Lindsey Beer will pen the script, which will apparently refrain from padding out the original tale in an attempt to expand the story<\/a>. I'm not the biggest fan of Bambi<\/em>, but I greatly respect its maturity and visual splendor. That said, I feel that it\u2019s pretty underrated in modern times. My one hope is that this remake reignites love for the 1942 movie.<\/p>\n\n\n\n

Lilo & Stitch<\/em> <\/h2>\n\n\n\n
\"Stitch,<\/figure><\/div>\n\n\n\n

As Disney has nearly gone through the entirety of the Walt-era and Renaissance catalogs, it makes sense that they\u2019d aim for more recent outputs. First hitting trade headlines in late 2018<\/a>, information about this remake is scarce. Dan Lin and Jonathan Eirich are reportedly producing, with Mike Van Waes penning the script. Chris Sanders\u2014who had a duel role in the original film as the director and voice of Stitch\u2014weighed in on the prospect of a live-action retelling<\/a>, stating: <\/p>\n\n\n\n

\u201cI definitely thought CG was, not at that point, up to the task of turning [Stitch] into something that would be visually not disturbing. With traditional hand-drawn animation cells you can make it in a particular way you can look at that and not see it as odd. If you think about a reinterpretation of Lilo as a CG character, she would just look very strange because I think she\u2019d feel very Muppet-y because of her big mouth, while in the hand drawn realm she looks pretty normal.\u201d<\/em><\/p>Chris Sanders<\/cite><\/blockquote>\n\n\n\n

After what happened with the enchanted objects in Beast castle, I sympathize with Sanders\u2019s concerns. Still, this could end up being a Detective Pikachu <\/em>situation where the translation is just about perfect. Only time will tell. As a fan of Lilo & Stitch<\/em>, I\u2019m extremely curious about this one. The quality will likely be dependent on the alien designs\/animations and the performances of Lilo and Nani\u2019s actresses. If they can muster charm out of those two elements, this could be a fun watch.<\/p>\n\n\n\n

Robin Hood<\/em><\/h2>\n\n\n\n
\"Robin<\/figure><\/div>\n\n\n\n

Oo-de-lally, I knew Disney would get to a live-action Robin Hood<\/em> eventually, but I expected the story would feature human characters. Instead, we\u2019re getting the fox and bear duo in a remake of the 1973 musical<\/a>. For me, that the entire cast will be made up of photorealistic anthropomorphic animals in a medieval setting makes this the most intriguing movie on this list. With this iteration also being a musical, this Robin Hood<\/em> could be the spiritual successor to Cats<\/em>. The jokes write themselves.<\/p>\n\n\n\n

Kari Granlund, who penned the screenplay for Disney+\u2019s Lady and the Tramp<\/em>, will tackle the script. Carlos Lopez Estrada, meanwhile, will helm the project as director. I love Disney\u2019s Robin Hood<\/em> for all its charming absurdity. Who knows? Maybe Estrada and Granlund can recapture some of that here.<\/p>\n\n\n\n

Hercules<\/em><\/h2>\n\n\n\n
\"Hercules<\/figure><\/div>\n\n\n\n


Hercules<\/em> is a cornucopia of MCU alumni, with the Russo brothers producing, and Shang-Chi<\/em> writer Dave Callaham penning the script. News of this adaptation is still fresh, but the fervor surrounding the project is intense. Fans are already petitioning for Arianna Grande as Meg (an obvious response to her \u201cI Won\u2019t Say (I\u2019m in Love)\u201d cover), while others are advocating for Danny DeVito\u2019s return as Phil. While casting details are up in the air at this point, we know for certain that the Russos are
not interested in a shot-for-shot recreation of the 1997 film<\/a>. Anthony went on to explain:<\/p>\n\n\n\n

I think we\u2019ll do something that\u2019s in the vein of the original and inspired by it, but we also bring some new elements to the table.<\/p>Anthony Russo<\/cite><\/blockquote>\n\n\n\n

That\u2019s good at least. I see Hercules<\/em> going the way of Aladdin<\/em>\u2014a faithful adaptation, but the character motivations and world-building are tinkered with a bit.  What will likely make or break this movie is the casting. If Hercules, Meg, and Hades have enough chemistry and charm, this could be a fun romp.<\/p>\n\n\n\n

Peter and Wendy<\/em><\/h2>\n\n\n\n
\"Peter<\/figure><\/div>\n\n\n\n

Director David Lowery helms Peter and Wendy<\/em>, soon-to-be the latest iteration of J.M. Barrie\u2019s play about flying kids, fairies, and a crocodile-fearing pirate. Working alongside Lowery is writer Toby Halbrooks and producer Jim Whitaker. If those names sound familiar (and I\u2019m sure they don\u2019t), it\u2019s because they\u2019re the same trio behind Disney\u2019s 2016 Pete\u2019s Dragon<\/em> adaptation\u2014one of the better received remakes from Disney. We even have casting info; Alexander Molony as Peter Pan, and Ever Anderson as Wendy Darling<\/a>.<\/p>\n\n\n\n

I haven\u2019t seen Pete\u2019s Dragon<\/em>, but Peter Pan<\/em> is one of my favorite stories. I\u2019ve seen and enjoyed numerous iterations\u2014from stage plays, to Robin Williams\u2019s Hook<\/em>, to Disney\u2019s 1953 animated musical. Some versions are better than others, but regardless of the quality, I get a kick out of seeing Pan and Hook go at it. I\u2019m looking forward to this one.<\/p>\n\n\n\n

Cruella<\/em><\/h2>\n\n\n\n
\"Cruella<\/figure><\/div>\n\n\n\n

A spiritual successor to Angelina Jolie\u2019s Maleficent<\/a><\/em>, Cruella<\/em> tells the origin story of the fashion-obsessed villain from One Hundred and One Dalmatians<\/em>. Emma Stone tackles the role of Cruella, with I, Tonya<\/em>\u2019s Craig Gillespie directing. During the 2019 D23 Expo, Disney released an image of Stone donning the iconic black and white ensemble, while being surrounded by her henchmen, Jasper (Joel Fry) and Horace (Paul Walter Hauser).<\/p>\n\n\n\n

While I don't think we need a long, dramatic explanation as to why Cruella is obsessed with Dalmatian-skin fashion articles, I\u2019m still mildly interested in this story. Partly because of Emma Stone\u2019s involvement but also because of the promo image. I love the thuggish, biker gang-esque aesthetics going on. I\u2019m also very glad to see that Jasper and Horace are involved, as some of Cruella\u2019s best scenes involve the back-and-forth between herself and her lackeys.<\/p>\n\n\n\n

Cruella<\/em> is set for a May 28, 2021 release<\/p>\n\n\n\n

Pinocchio<\/em><\/h2>\n\n\n\n
\"Geppetto<\/figure><\/div>\n\n\n\n

The last remake with solid traction so far is Pinocchio<\/em>. Acclaimed filmmaker Robert Zemeckis is tackling this project as director and co-writer, alongside Cinderella<\/a><\/em>\u2019s Chris Weitz. While talks about a Pinocchio<\/em> remake have been circulating for years, little is known about how this remake will play out. My personal interest starts and stops with the filmmaking team. I will forever revere Robert Zemeckis for Who Framed Roger Rabbit?<\/a><\/em>, and 2015\u2019s Cinderella<\/em> was genuinely enjoyable. Like Bambi<\/em>, I feel that Pinocchio<\/em> is greatly under-appreciated in this day and age. It would be nice if this remake breathes some new life into the little wooden head. <\/p>\n\n\n\n

What do you think about Disney's upcoming slate of live-action remakes? Which one are you most excited to see?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"Disney Upcoming Live-action Remake Roundup: What We Know So Far","post_excerpt":"A roundup of all of Disney's upcoming live-action remakes!","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"disney-upcoming-live-action-remake-roundup-what-we-know-so-far","to_ping":"","pinged":"","post_modified":"2020-07-23 19:19:13","post_modified_gmt":"2020-07-24 02:19:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56502","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":56855,"post_author":"57","post_date":"2020-05-28 05:36:01","post_date_gmt":"2020-05-28 12:36:01","post_content":"\n

The highly anticipated HBO Max has finally launched in North America and boasts an embarrassment of animation riches. The WarnerMedia-owned streaming service offers everything from Looney Tunes<\/em>, Hanna-Barbera classics like Scooby Doo<\/em>, and Cartoon Network hits like Adventure Time<\/em> and Steven Universe<\/em>. But it doesn\u2019t stop there\u2014here\u2019s what you can expect when you subscribe to HBO Max.<\/p>\n\n\n\n

Warner Bros. Animation <\/h2>\n\n\n\n
\"Elmer
Elmer and Bugs in Looney Tunes Cartoons<\/em>.<\/figcaption><\/figure>\n\n\n\n

The Warner Brothers\u2019 animated catalog dates back to the 1930s and 40s, which ushered in a series of theatrical cartoons starring the likes of Porky Pig, Daffy Duck, and Bugs Bunny\u2014collectively known as the Looney Tunes. Since their inception, the Looney Tunes have seen dozens of television shows and theatrical movies bearing their name. Most of such content can be found on HBO Max. Most notably, however, one of HBO Max\u2019s premiere titles is Looney Tunes Cartoons<\/em>, a new series of shorts produced and animated in the style of the originals.<\/p>\n\n\n\n

Outside of the Looney Tunes, Warner Bros. Animation has other properties like The Iron Giant<\/em> and The LEGO Movie<\/em>. They are also responsible for the massive DC Animated Universe, who release direct-to-video movies starring Batman, Superman and the like on a yearly basis.<\/p>\n\n\n\n

Hanna-Barbera<\/h2>\n\n\n\n
\"Hanna-Barbera
The Hanna-Barbera cast of characters, as they will appear in Jellystone<\/em>!<\/figcaption><\/figure>\n\n\n\n

The catalog of Hanna-Barbera Productions is extensive. The studio\u2014which primarily produced cartoons for television\u2014are most notable for creating Scooby Doo<\/em>, The Flintstones<\/em>, Yogi Bear<\/em>, and and a host of other shows that many will recognize from Boomerang. If you\u2019re looking to relive your childhood\u2014or if the SCOOB!<\/em> crossovers sparked your curiosity\u2014you can find the best of Hanna-Barbera\u2019s works on HBO Max. Additionally, the Hanna-Barbera cast is set to feature in their own HBO Max original series, titled Jellystone!<\/em> This comes from the creative head behind Chowder<\/em>, so if you were a fan, this may be worth getting excited over.<\/p>\n\n\n\n

Cartoon Network <\/h2>\n\n\n\n
\"Adventure
Adventure Time: Distant Lands<\/em><\/figcaption><\/figure>\n\n\n\n

For anyone who grew up in the late 90s, Cartoon Network was the one stop shop for creative, groundbreaking, and downright hilarious animated programming. Either you were pumping your fist to The Powerpuff Girls<\/em>, or laughing your heart out with Dexter\u2019s Laboratory<\/em>. If you were looking for something a little more dramatic, Samurai Jack<\/em> and Ben 10<\/em> are just some of the shows that could make you feel more mature than you actually were. <\/p>\n\n\n\n

Fast forward a decade, and Cartoon Network is revolutionizing the cartoon scene again with Adventure Time<\/em>, Regular Show<\/em>, and Steven Universe<\/em>\u2014all of which have a home on HBO Max. One of the selling points for HBO Max was the premiere of Adventure Time: Distant Lands<\/em>, a follow-up series that features Finn, Jake, and the rest of Ooo\u2018s inhabitants on new adventures.<\/p>\n\n\n\n

Anime<\/h2>\n\n\n\n
\"My
My Neighbor Totoro<\/em>, one of Studio Ghibli\u2019s most popular films<\/figcaption><\/figure>\n\n\n\n

If you\u2019re not a fan of western animation, HBO Max still has plenty to offer. The service launched with seventeen titles from Crunchyroll\u2014some of the most notable being Kill La Kill<\/em> and Full Metal Alchemist: Brotherhood<\/em>. Additionally, HBO Max holds the North American streaming rights to Studio Ghibli\u2019s critically acclaimed library. This announcement was huge news, as Studio Ghibli had very little exposure in the US outside of their initial theatrical runs. Even when streaming rose to prominence, Studio Ghibli titles were nowhere to be found. That all changes today, as you can now watch Spirited Away<\/em>, My Neighbor Totoro<\/em>, and Howl\u2019s Moving Castle<\/em> whenever you\u2019d like, wherever you\u2019d like.<\/p>\n\n\n\n

What are you most looking forward to watching on HBO Max?<\/h2>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"An Overview of HBO Max\u2019s Animated Library","post_excerpt":"With a boatload of animation titles, here\u2019s what you can expect from HBO Max.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"overview-hbo-maxs-animated-library","to_ping":"","pinged":"","post_modified":"2020-05-28 16:58:32","post_modified_gmt":"2020-05-28 23:58:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=56855","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55862,"post_author":"57","post_date":"2020-03-10 09:41:00","post_date_gmt":"2020-03-10 16:41:00","post_content":"\n

Blue Sky Studio\u2019s latest film,\u00a0Spies in Disguise<\/strong><\/em>, made its way to home media platforms today<\/a>, Centering a haughty secret agent (Will Smith) and his unlikely partnership with a plucky inventor (Tom Holland),\u00a0Spies\u00a0<\/em>puts a comedic spin on the spy flicks that the likes of Bond and Hunt have made legendary. To celebrate the release of the film on Blu-ray, Rotoscopers, and other outlets, were invited to Blue Sky Studios in Connecticut for an in-depth look at what it takes to create an animated feature film\u2014particularly,\u00a0Spies in Disguise<\/em>.\u00a0<\/p>\n\n\n\n

Something that drives my love of movies is the filmmaking process itself. I\u2019ve always been fascinated by the thoughts of those behind the camera, and that\u2019s what I got while interviewing co-directors Troy Quane and Nick Bruno at the start of the day. The two went in-depth about some of the film\u2019s central themes\u2014one was a non-violence message, which was nice to see in a film teeming with explosions and combat. The other centered the importance of friendship and teamwork.<\/p>\n\n\n\n

\"Spies
From left to right: co-director Nick Bruno, production designer Troy Quane, and co-director Michael Knapp<\/figcaption><\/figure>\n\n\n\n

While the latter theme is nothing new\u2014particularly in family entertainment\u2014it was interesting to see how production designer Micheal Knapp sought to convey it using color. The \u201clone wolf\u201d spy, Lance Sterling (whose basic design was inspired by a martini glass), is primarily dressed in blue, which represents isolation here. Sterling shares this visual motif with the film\u2019s recluse villain, Killian, illustrating the similarities between the two morally antithetical characters. The-ever gregarious Walter Beckett, meanwhile, is painted with warm yellows and browns\u2014representations of teamwork. <\/p>\n\n\n\n

Before the panel\u2019s end, the directors were directly (pun intended) asked about the possibility of a sequel, to which they responded with a strive to revisit their world and characters should the opportunity present itself. <\/p>\n\n\n\n

Next stop was a more grueling-sounding piece of the puzzle: storyboarding. This is one of the unsung departments in animation, as their work technically doesn\u2019t appear onscreen, apart from bonus features on home media. They are nevertheless essential to the execution of the film, as they bring life to a script long before other departments like animation, voice acting, and score can work their magic.\u00a0<\/p>\n\n\n\n

Speaking of animation magic, animator Eric Prah and senior animator Jackie Tarascio demonstrated exactly that with a presentation on how a character like Jeff the Pigeon is brought to life. While I can vaguely imagine how gratifying it must feel to finish a scene, I can definitely<\/em> imagine how exhausted I\u2019d be after finishing a mere few frames. Prah did not hesitate to proclaim how much patience is needed to do the work of an animator, and I did not hesitate to take his word for it. <\/p>\n\n\n\n

\"Spies
Sculptures and artwork depicting various characters from Spies in Disguise<\/em> <\/figcaption><\/figure>\n\n\n\n

We were then taken to the sculpting department, where the lovely Vicki Saulls gave us an up-close look at some of the maquettes used for Spies in Dosguise<\/em>, as well as other Blue Sky projects like Ice Age<\/a><\/em> and Rio<\/em>. This was among my favorite panels of the day, for the sheer beauty of these figures. There\u2019s so much attention to detail here, and they capture the essence of each character to a tee. Sadly, none of these masterpieces are ever taken home by Saulls, which I think is a crime against humanity. On the bright side, this allows us and others that visit the studio, a chance to bask in their glory.<\/p>\n\n\n\n

The special effects and lighting department painted a vivid image regarding how important their craft is to the overall beauty of the film. Shortly afterwards, we tested our own craft when it came time to draw Lance Sterling (in bird form) for the sadistic pleasure of lead designer Jason Sadler, and visual development artist Tyler Carter. While my Lance won\u2019t be winning any awards, I can\u2019t say the same for some of my colleagues and their pitch perfect renditions of the character.
<\/p>\n\n\n\n

The day ended with a round table discussion with the co-directors, where they discussed more interesting tidbits about the work that went into crafting the film. such as working with the voice talent. Despite the chemistry between their respective characters, Tom Holland and Will Smith did not work together during the making of the film, only collaborating after the fact during promotional runs. This is business as usual in modern animation, as conflicting schedules (among other factors) often lead to voice actors recording their dialogue separately, DJ Khalid (who voices Ears in the movie) was also brought up, being praised for his comedic timing. <\/p>\n\n\n\n

Spies in Disguise<\/em> is available now! Purchase the Blu-ray<\/a>, Digital HD<\/a> or rent a copy<\/a> today! <\/p>\n","post_title":"\u2018Spies in Disguise\u2019 filmmakers talk sequel, themes, and characters","post_excerpt":"To celebrate the release of the film on Blu-ray, we visited Blue Sky Studios for an in-depth look at what it took to create 'Spies in Disguise'. ","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"spies-in-disguise-filmmakers-talk-sequel-themes-and-characters","to_ping":"","pinged":"","post_modified":"2020-03-10 21:41:45","post_modified_gmt":"2020-03-11 04:41:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55862","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":55213,"post_author":"57","post_date":"2020-01-01 15:45:32","post_date_gmt":"2020-01-01 22:45:32","post_content":"\n

The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. <\/p>\n\n\n\n

With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films. I\u2019ll be covering every film from Tangled<\/em> to Frozen 2<\/em> and seeing what worked, what didn\u2019t, and which are the best of the best.<\/p>\n\n\n\n

9. Ralph Breaks the Internet<\/em> <\/h2>\n\n\n\n
\"Ralph<\/figure>\n\n\n\n

Ralph Breaks the Internet<\/em> outdoes its predecessor in two areas: the comedy, and the animation. Other than that, this movie was a massive downgrade. Vanellope\u2019s goals are so shallow and selfish that I couldn\u2019t sympathize with her at all. Ralph doesn\u2019t fare much better, with his stupidity being so heightened that it strips him of any dignity.<\/p>\n\n\n\n

We meet a lot of new faces, and with the exception of Alan Tudyk\u2019s Knowsmore, they\u2019re all forgettable. Yesss and Shank are nothing more than plot devices, while Spamley is so pointless, his voice actor wasn\u2019t even credited. The Internet feels equally uninspired as a setting, as does Henry Jackman\u2019s score. What\u2018s confusing is that Ralph Breaks the Internet<\/em> was headed by the same creative team as the original, so what went wrong? I\u2019m not sure, but I do know this is one to skip.<\/p>\n\n\n\n

8. Winnie the Pooh<\/em><\/h2>\n\n\n\n
\"Winnie<\/figure>\n\n\n\n

Winnie the Pooh<\/em> exudes charm. It features gorgeous 2D animation, the writing is hilarious, and the severely underrated songs are some of the catchiest of Disney\u2019s recent musicals. My only gripe is that\u2014unlike its predecessor\u2014Winnie the Pooh<\/em> lacks any real depth. In The Many Adventures of Winnie the Pooh<\/em>, we get an epilogue that sees Christopher Robin coping with the reality of growing up and having to someday leave Pooh behind. It\u2019s a short scene, but it enriches an otherwise simple tale. That such a thing is lacking in the 2011 sequel keeps it from achieving \u201cclassic\u201d status in my opinion. It doesn\u2019t help that the movie is a touch too short. One or two additional segments\u2014maybe taking place in different seasons\u2014would have fleshed things out a bit more.<\/p>\n\n\n\n

7. Big Hero 6<\/em><\/h2>\n\n\n\n
\"Hiro<\/figure>\n\n\n\n

I LOVE Big Hero 6<\/em>.... for the most part. When the movie deals with the topic of loss, and Hiro and Baymax\u2019s relationship, it\u2019s brilliant. Fortunately, that\u2019s the bulk of the movie, hence \u201cfor the most part.\" What disappoints me are the side characters. Honey Lemon, GoGo, Wasabi, and Fred feel underdeveloped, as they aren\u2019t allowed to be more than their archetypes. They\u2019re entertaining to watch, which mediates the problem, but a scene where Hiro learns of their individual backgrounds ala Atlantis: The Lost Empire<\/em> would have made them feel more alive.<\/p>\n\n\n\n

Far more problematic is the villain. Yokai has an awesome design, but his backstory is too generic and underdeveloped to garner any emotional response from me. Same with San Fransokyo, as there\u2019s no time dedicated to fleshing out the world in a way that separates it from other fictional cities.<\/p>\n\n\n\n

6. Frozen<\/em><\/h2>\n\n\n\n
\"Anna<\/figure>\n\n\n\n

Frozen<\/em> feels like a throwback to the Disney Renaissance. Like The Little Mermaid<\/em> and Beauty and the Beast<\/em>, it subverts fairytale tropes without sacrificing the sincerity of its story and characters.<\/p>\n\n\n\n

Both Anna and Elsa are very well-written leads. Their relationship is the heart of the movie, but their personalities are so strong that they work just as well individually. Olaf, meanwhile, is a great addition to the pantheon of \u201cDisney sidekicks.\" While his plot relevance doesn\u2019t match Pinocchio<\/em>\u2019s Jiminy Cricket, his innocently smart-mouthed remarks are peak comedy.<\/p>\n\n\n\n

Musically, not every song (\u201cFixer Upper\u201d) is a masterpiece, but the ones that work, work incredibly well. Special shoutout to \u201cFor the First Time in Forever (Reprise)\u201d for being one of my favorite Disney songs. \u201cLet It Go\u201d\u2014though I've never been obsessed with this song\u2014is one of the finest sequences I\u2019ve seen from Disney.<\/p>\n\n\n\n

For all its strengths, Frozen<\/em> falters in some of its story execution. Hans\u2019s villainy was revealed so late in the movie, and with such minimal foreshadowing, that it felt shoehorned. The \u201cFixer Upper\u201d scene is also problematic due to its poor placement, but I honestly wouldn\u2019t care as much if the song was better. There are also times where the emotion doesn\u2019t hit as hard as it should. For example, while I enjoyed Anna and Kristoff\u2019s dynamic, I couldn\u2019t buy their romance. And while I liked the ending okay, its rushed pacing prevented it from getting the response it aimed for. <\/p>\n\n\n\n

5. Moana<\/em><\/h2>\n\n\n\n
\"Baby<\/figure>\n\n\n\n

I\u2019m not in love with Moana<\/em>, but I do believe it to be a well-crafted piece of filmmaking. And I\u2019ll say it, Moana<\/em> has the best soundtrack of any Disney movie. Lin-Manuel Miranda\u2019s music is sharply-written, perfectly fits the setting of the film, and establishes the characters even better than the dialogue sequences (which is the point of a musical).<\/p>\n\n\n\n

3D gets a lot of flack for lacking the expressiveness of 2D, but Moana<\/em>\u2019s character animation is awash with nuance and emotion. Furthermore, the environments are vibrant and rich with detail, which makes the world feel alive. The Ocean is a testament to both, blending environmental realism and personality animation.<\/p>\n\n\n\n

Moana<\/em>\u2019s story is nothing original, but I\u2019ve never cared because the characters are so much fun to watch. They\u2019re all archetypes that we\u2019ve seen a million times before (the starry-eyed heroine, the eccentric old mentor, the flamboyant villain, etc.), yet they still feel fresh thanks to the superb animation and strong vocal performances.<\/p>\n\n\n\n

4. Tangled<\/em><\/h2>\n\n\n\n
\"Rapunzel<\/figure>\n\n\n\n

I wasn\u2019t a fan of Tangled<\/em> when it first came out. I thought the voice acting, music, and villain were all subpar. \u201cA serious downgrade from The Princess and the Frog<\/a><\/em>,\u201d I\u2019d say to myself. Nine years later, and my opinions couldn\u2019t be more different (though I\u2019m still partial to The Princess and the Frog<\/em>). <\/p>\n\n\n\n

Tangled<\/em> is a smaller-scale movie compared to most on this list, but that\u2019s to its benefit. It knows the story it wants to tell, and never strays too far from its path. That path, of course, is Rapunzel and Eugene (or Flynn Rider, depending on who you are). Their relationship is so well-developed that I\u2019d dare say its the best love story Disney has delivered yet. And part of what makes their romance so charming is that the characters, themselves, are fantastic. Rapunzel\u2019s plucky innocence is instantly endearing, and Eugene is hilariously confident but with enough vulnerability to not feel like a caricature. Credit to Mandy Moore and Zachary Levi for perfectly conveying these qualities. <\/p>\n\n\n\n

This isn\u2019t Alan Menken\u2019s best work, but the music of Tangled<\/em> is still infectious. It has a modern edge that gives the movie its own unique identity apart from other Disney musicals. Though I have to say, while the songs are all great fun, it\u2019s the score that really shines here. <\/p>\n\n\n\n

3. Frozen 2<\/em><\/h2>\n\n\n\n
\"Elsa<\/figure>\n\n\n\n

As a fan of fairytales and adventure stories, I adored Frozen 2<\/em>.  I found Elsa\u2019s journey to the Enchanted Forest equal parts intense and engrossing. Everything that worked in the original is amplified here\u2014perhaps most strikingly in the animation department. Technological improvements aren\u2019t surprising, but the work here goes beyond that. Whether a scene is funny or dramatic, the emotion was elevated by the animators\u2019 performances. \u201cShow Yourself\u201d, alone, is such visual tour de force that I got emotional just from seeing Elsa get emotional.<\/p>\n\n\n\n

Keeping with the visuals, this movie is a marvel. The filmmakers seem intent on consistently blowing the audience away with grand set pieces, and it worked to great effect. Elsa\u2019s battle with the Nokk was particularly breathtaking, as were the Earth Giants. Other details like the lighting and colors do a lot to make the movie pop.<\/p>\n\n\n\n

I\u2019d be remiss not to mention the soundtrack. It\u2019s phenomenal. The songs span a range of genres, from vaudeville to 80\u2019s ballads, and they all work spectacularly\u2014both as standalone tunes, and as character studies. There isn\u2019t a single weak link on this track list.<\/p>\n\n\n\n

I don\u2019t disregard anyone that has trouble following the story<\/a>. There\u2019s a lot going on here, with significant amounts of screen time being dedicated to each character arc. As for me, myself, personally, I was into it the whole way through. The added lore involving the spirits and the late king and queen gave me a deeper appreciation for this world. That I loved all the old and new characters (shoutout to Lieutenant Mattias) certainly added to my investment.<\/p>\n\n\n\n

2. Wreck-It Ralph<\/em><\/h2>\n\n\n\n
\"Wreck-It<\/figure>\n\n\n\n

Wreck-It Ralph<\/em> presents an imaginative premise, and takes full advantage of it\u2014power-ups, \u201cgame overs,\" cheat codes, boss battles, platformers, shooters, kart racing, its all here. Fun as these elements may be, they work because <\/em>they are <\/em>solely used to service the story, which never gets lost in the shuffle of easter-eggs.<\/p>\n\n\n\n

The tale of Ralph\u2014a Donkey Kong-inspired hulk who faces abuse and neglect on account of being the \u201cbad-guy\u201d\u2014is emotionally gripping. My sympathy for the character kept me invested, as I wanted to see a happy ending just as much as Ralph did. The heartstrings were tugged even harder with Vanellope\u2019s introduction, who becomes something of a daughter figure to Ralph. Disney has no shortage of heartwarming relationships, but none have resonated with me on the scale of Ralph and Vanellope.<\/p>\n\n\n\n

Enriching the movie further are fantastic supporting characters. Felix and Calhoun both play crucial roles in the story but are allowed to undergo development of their own. King Candy, meanwhile, is my absolute favorite Disney villain. He\u2019s equal parts entertaining and terrifying, with a backstory that fits perfectly into Ralph and Vanellope\u2019s arcs.<\/p>\n\n\n\n

With Henry Jackman\u2019s powerful score and immersive visuals, everything ties together in Wreck-It Ralph<\/em> to create one of the best animated films of recent years. <\/p>\n\n\n\n

1. Zootopia<\/em><\/h2>\n\n\n\n
\"Judy<\/figure>\n\n\n\n

Zootopia<\/em> caught me off guard. I had zero interest in a movie about anthropomorphic animals, much less a buddy cop movie about anthropomorphic animals. It just sounded like a dumb B-movie. And yet, Zootopia<\/em> is a masterclass in filmmaking, with profound themes and a sophistication to its storytelling.<\/p>\n\n\n\n

Where to begin with a movie this rich? The premise\u2014about an all-animal world where species relationships reflects the polarized climate of our society\u2014is topical and timeless. What I most respect is that the movie never talks down to the audience. The filmmakers chose to tackle a serious subject, and it's dealt with in a manner that feels raw\u2014though with animals in place of humans, which is what makes Zootopia<\/em> such an inspired piece of art.<\/p>\n\n\n\n

\"The
The city of Zootopia in all its glory.<\/figcaption><\/figure>\n\n\n\n

Zootopia itself is a beautifully realized world. As we explore the bustling city streets, lush rainforests, and snowy tundras, there\u2019s an overwhelming sense of history to this setting that perfectly exemplifies how to make the fantastical feel believable.<\/p>\n\n\n\n

More important than the setting are the characters that inhabit it. Judy Hopps, Nick Wilde, and the rest are so layered that I continuously find new things to love about them with every rewatch. Judy may be the hero, but she herself is unconsciously biased. Bogo is openly biased, but he\u2019s not a heartless villain either. Even the minor characters like Mr. Big and Mayor Lionheart are written with nuance that makes them three-dimensional.<\/p>\n\n\n\n

I do have some quibbles; the villain is a laughably non-threatening presence, and Michael Giacchino\u2018s score is among the weakest on this list. On the whole, though, neither issue ruins my enjoyment of what is otherwise a modern masterpiece.<\/p>\n\n\n\n

Which is your favorite Disney Animation from the 2010s? Comment below!<\/h1>\n\n\n\n

Edited by: Kelly Conley<\/p>\n","post_title":"[OPINION] Ranking Walt Disney Animation Studios Films from 2010-2019","post_excerpt":"The 2010s have been a transformative period for Walt Disney Animation Studios. Experiencing what many consider to be a neo-Renaissance, the house that Walt built has been cranking out critical and financial hits year after year. But course, some movies are better than others. With 2020 starting up, I\u2019m closing off the year 2019 with a retrospective and ranking of this decade\u2019s Disney animation films.","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"opinion-ranking-disney-animations-from-2010-2019","to_ping":"","pinged":"","post_modified":"2020-02-14 10:54:55","post_modified_gmt":"2020-02-14 17:54:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.rotoscopers.com\/?p=55213","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":54901,"post_author":"57","post_date":"2019-11-15 01:36:09","post_date_gmt":"2019-11-15 08:36:09","post_content":"\n

The straight-to-Disney+ remake of Lady and the Tramp<\/em> recaptures some of the animation\u2019s magic visually, but stumbles on the substance that made it a classic. <\/h4>\n\n\n\n

It seems like nothing is off the table when it comes to Disney\u2019s retellings of animated classics. The latest to receive the controversial treatment is Walt Disney\u2019s canine-driven love story, Lady and the Tramp<\/em>. Full disclosure, my interest in a Lady and the Tramp <\/em>reimagining was nonexistent. I just haven\u2019t been the biggest fan of Disney\u2019s live-action outings. Still, every movie deserves a fair shot, and I am a fan of the original. The good news is, some of the original\u2019s magic is present here, aesthetically. The bad news? There\u2019s no substance to compliment the style.<\/p>\n\n\n\n

\"Lady-and-the-Tramp-Scenery\"<\/figure><\/div>\n\n\n\n

Let\u2019s start with the positives; the movie looks <\/em>phenomenal. The sets are gorgeously detailed, and the use of lighting and color add a sense of magic to a real-world setting. Secondly, the new renditions of the classic songs are beautifully done, the standout being \u201cLa La Lu\u201d, performed here by Kiersey Clemons as Darling. When it comes to the visuals and music, this is where that famous Disney magic shines.<\/p>\n\n\n\n

Speaking of Clemons, the human actors are perfectly serviceable here. Darling (Clemons) and Jim Dear (Thomas Mann) are likable as a starry-eyed young couple. Alternatively, the flamboyantly pompous Aunt Sarah (Yvette Nicole Brown) is a lot of fun in what little screen time she has. <\/p>\n\n\n\n

\"Lady-Jock-and-Trusty\"<\/figure><\/div>\n\n\n\n

Notable by their lack of praise is the voice cast, which leads me to the \u201cmissteps\u201d part. Lady and the Tramp <\/em>stumbles in some areas, one of which being the Air Buddies<\/em>-esque \u201ctalking dog\u201d schtick. For the first few minutes of the movie, the animals are silent. As a dog lover, Lady\u2019s portrayal as an actual puppy is widely charming. We lose a lot of that charm when the dogs are suddenly cracking wise like Hollywood celebrities. It\u2019s jarring, a little annoying, and remains as such for the entirety of the movie. The script\u2019s barrage of unfunny jokes doesn\u2019t help.<\/p>\n\n\n\n

Stronger performances could have undercut this issue. At the very least, the talking dog scenes would have been mildly entertaining. We instead get Tessa Thompson as Lady and Justin Theroux as Tramp. Though they try their best, their generic deliveries are reminiscent of every mediocre romantic comedy. But that\u2019s nothing compared to Ashley Jensen\u2019s loud, obnoxious take on Jock the Scottish Terrier.<\/p>\n\n\n\n

\n