Runtime: 1:17:46, 37.3 MB<\/strong><\/p>\r\n <\/p>\r\n Edited by: Kelly Conley<\/p>","post_title":"Animation Addicts 89: Interview with Christopher Knights - 'Penguins of Madagascar'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-89-interview-with-christopher-knights-penguins-of-madagascar","to_ping":"","pinged":"","post_modified":"2025-03-27 16:46:10","post_modified_gmt":"2025-03-27 23:46:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/rotoscopers.com\/?p=27028","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"2","filter":"raw"},{"ID":23578,"post_author":"3","post_date":"2014-12-13 06:10:59","post_date_gmt":"2014-12-13 13:10:59","post_content":"\r\n Disney Legend, Glen Keane<\/strong>, takes a moment out of his very busy schedule to talk to Mason and Chelsea about his new short, Duet<\/em>!<\/p>\r\n\r\n\r\n\r\n Glen was so\u00a0kind and went on to the Facebook fan page and replied to many of the the questions personally! Check it out here!<\/a><\/p>\r\n Runtime: 0:53:12, 64.6 MB<\/strong><\/p>\r\n Even if I had never seen a trailer for The Book of Life<\/em>, the fact that the forward to the film's art book--The Art of The Book of Life<\/em>--was written by Guillermo Del Toro interested me. I guess that\u2019s why they got him. The forward is short and to the point. It talks mostly about when Jorge Gutierrez approached him to produce his film and his infectious enthusiasm. As you read through this book, you feel like you get to know him and realize that is not an overstatement.<\/p>\r\n The best part of this book is that it is written by the director, Jorge Gutierrez, himself. Being that The Book of Life<\/em>\u00a0was his brain child and had been in pre-production for the past 14 years, there would be no one better to do it. Jorge has a very strong voice in his writing and you feel like you are sitting down with him by your side as he shows you exactly what he was thinking. He shares with you his inspirations (both living and remembered) as well as his incredible love for the holiday Dia de los Muertos. Jorge introduces the book and says that \u201cThe unique look of the film is very much my passionate love letter to Mexican folk art.\u201d<\/p>\r\n The book is separated into three sections: Characters, Making Of, and Locations. It features all the things we have come to expect in contemporary art books such as\u00a0visualization development sketches, color keys, full page spreads, and pull outs.<\/p>\r\n\r\n Jorge loves symbols and patterns. So, of course, symbolism and intricate designs are everywhere. There are so many details that you may have noticed while watching the film but didn\u2019t necessarily catch. He collaborated with his wife on many of the aspects of the film but said that when creating the characters, he would take everything \"manly or ugly\" and she would do all things feminine and beautiful.\u00a0 <\/span>Everything is a love letter. Xibalba is a love letter to Guillermo, Chakal is a love letter to the Mexican bandit villains from his favorite Spaghetti Westerns, and every man\u2019s mustache is a love letter to mustaches in and of themselves.<\/p>\r\n I give this book 4 1\/2 stars out of 5! It is a wonderful addition to your library and one that you'll want to go back to over and over.<\/p>\r\n\r\n The Art of The Book of Life<\/em>:\u00a0Amazon<\/a>\u00a0|\u00a0Book Depository<\/a><\/p>\r\n Mason is flying solo as he interviews Christopher Knights<\/strong>, the voice of Private from Penguins of Madagascar<\/strong><\/em>.<\/p>\r\n\r\n\r\n\r\n Runtime: 1:17:46, 37.3 MB<\/strong><\/p>\r\n <\/p>\r\n Edited by: Kelly Conley<\/p>","post_title":"Animation Addicts 89: Interview with Christopher Knights - 'Penguins of Madagascar'","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"animation-addicts-89-interview-with-christopher-knights-penguins-of-madagascar","to_ping":"","pinged":"","post_modified":"2025-03-27 16:46:10","post_modified_gmt":"2025-03-27 23:46:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/rotoscopers.com\/?p=27028","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"2","filter":"raw"},{"ID":23578,"post_author":"3","post_date":"2014-12-13 06:10:59","post_date_gmt":"2014-12-13 13:10:59","post_content":"\r\n Disney Legend, Glen Keane<\/strong>, takes a moment out of his very busy schedule to talk to Mason and Chelsea about his new short, Duet<\/em>!<\/p>\r\n\r\n\r\n\r\n Glen was so\u00a0kind and went on to the Facebook fan page and replied to many of the the questions personally! Check it out here!<\/a><\/p>\r\n Runtime: 0:53:12, 64.6 MB<\/strong><\/p>\r\n Even if I had never seen a trailer for The Book of Life<\/em>, the fact that the forward to the film's art book--The Art of The Book of Life<\/em>--was written by Guillermo Del Toro interested me. I guess that\u2019s why they got him. The forward is short and to the point. It talks mostly about when Jorge Gutierrez approached him to produce his film and his infectious enthusiasm. As you read through this book, you feel like you get to know him and realize that is not an overstatement.<\/p>\r\n The best part of this book is that it is written by the director, Jorge Gutierrez, himself. Being that The Book of Life<\/em>\u00a0was his brain child and had been in pre-production for the past 14 years, there would be no one better to do it. Jorge has a very strong voice in his writing and you feel like you are sitting down with him by your side as he shows you exactly what he was thinking. He shares with you his inspirations (both living and remembered) as well as his incredible love for the holiday Dia de los Muertos. Jorge introduces the book and says that \u201cThe unique look of the film is very much my passionate love letter to Mexican folk art.\u201d<\/p>\r\n The book is separated into three sections: Characters, Making Of, and Locations. It features all the things we have come to expect in contemporary art books such as\u00a0visualization development sketches, color keys, full page spreads, and pull outs.<\/p>\r\n\r\n Jorge loves symbols and patterns. So, of course, symbolism and intricate designs are everywhere. There are so many details that you may have noticed while watching the film but didn\u2019t necessarily catch. He collaborated with his wife on many of the aspects of the film but said that when creating the characters, he would take everything \"manly or ugly\" and she would do all things feminine and beautiful.\u00a0 <\/span>Everything is a love letter. Xibalba is a love letter to Guillermo, Chakal is a love letter to the Mexican bandit villains from his favorite Spaghetti Westerns, and every man\u2019s mustache is a love letter to mustaches in and of themselves.<\/p>\r\n I give this book 4 1\/2 stars out of 5! It is a wonderful addition to your library and one that you'll want to go back to over and over.<\/p>\r\n\r\n The Art of The Book of Life<\/em>:\u00a0Amazon<\/a>\u00a0|\u00a0Book Depository<\/a><\/p>\r\nHighlights<\/strong><\/h3>\r\n
\r\n
Links<\/h3>\r\n
\r\n
Find The Rotoscopers<\/strong><\/h3>\r\n
\r\n
Find The Hosts<\/strong><\/h3>\r\n
\r\n
Highlights<\/strong><\/h3>\r\n
\r\n
\r\n
Links<\/h3>\r\n
\r\n
Find The Rotoscopers<\/strong><\/h3>\r\n
\r\n
<\/a><\/li>\r\nFind The Hosts<\/strong><\/h3>\r\n
\r\n
<\/p>\r\n
<\/p>\r\n
<\/h2>\r\nCharacters<\/h2>\r\n
<\/p>\r\n\r\nMaking Of<\/h2>\r\nThis chapter is full of colors, shapes, layouts, and materials--basically everything you would want to know about the minutia of what makes this film unique. It showcases color keys at the bottom of the pages and has a few pullouts. We also get brief introductions to all the worlds and a different setting within The Land of the Remembered where the reunion scene was going to take place.\r\n
<\/p>\r\n\r\nLocations<\/h2>\r\nThis final section gives us a deep dive into\u00a0the film's backgrounds and the characters that fill in those backgrounds. More love letters to people like Picasso and even one of his favorite comedies, Mean Girls.<\/em> The whole book is such a perfect melding of Mexican heritage, Spanish tradition, and just the right amount of Aztec flair.\r\n\r\n
\r\nAfterword by Paul Sullivan<\/h2>\r\nIf it wasn't enough,\u00a0reading through the book from the directors eyes, a few words from the art director, Paul Sullivan, really put the stamp on the end. It's very obvious that Jorge's enthusiasm ignited a spark at Reel FX. Everyone felt like they were apart of something special. As you read, you can feel everyone's combined passion. It is tangible and permeates every page.\r\n
<\/p>\r\nPurchase<\/h3>\r\n
\r\n\r\nMost contemporary art books are broken up into sections like Characters, Locations, and the \"Making Of.\" They have come to be more of a companion book to go along with the movie. The Art of The Lion King is a little different because it is very sequential. Starting from the unforgettable opening scene, as you flip through, it is like you are reliving the movie itself.\r\n\r\nIt broken up into 5 parts. The forward is by James Earl Jones and then goes into Acts One, Two, and Three, concluding with the \"Afterword,\" a section about 30 pages long detailing behind-the-scenes stories and the main people behind the film.\r\n\r\n
\r\n\r\nThe book starts out with final key frames from the opening sequence. As the pages move on, it keeps your attention with a great mix of the final frames, story boards, concept art, and even excerpts from artists' work books. It's like walking through an art gallery. Every picture is chosen wisely and placed on the page with great care and purpose. With every page I felt like I was either learning more about the character or the animation that brought it all to life.\r\n\r\n
\r\n\r\nI love the way this book is laid out! Generally, it has one main focal point per page. Most of the time that focal point is larger and a variation of one of the more iconic images, which is then sometimes balanced by a few smaller pictures to the right or to the left that add interest and the desire to study each page. As seen above, even on pages where there is a lot to look at, color choices and lines help guide your eye to look at one place first, before you move on to see what else there is to discover.\r\n\r\n
\r\n\r\nI really enjoyed, author Christopher Finch's writing style. He tells the story simply and doesn't bring in too much text to take away from the art. He also knows how important the songs were in telling this story and lets the lyrics speak for themselves.\r\n\r\n
\r\n\r\nI feel like they way that it is broken up really shows the quality of storytelling and just how much of a masterpiece this movie was, not just for it's time but all time. Every page, you get sucked in and remember what it was like the very first time you saw these iconic images.\r\n\r\n
\r\n\r\nAfter about 165 pages of story we finally move into what we love about art books. In the last 30 or so pages, Finch does a fantastic job of letting you know who the key players and\u00a0crew members were. You learn of their thoughts and feelings and antics during the production. This includes the stories from their trip to Africa for research on design as well as techniques and challenges they faced back at home. It's a mini history with the amount of details that would be expected on platinum level Blu-ray releases.\r\n\r\n
\r\n\r\nI give this book a perfect 5 stars! I was overwhelmed with the beauty and specific intent behind every page.\r\n\r\n
\r\n\r\nAs I mentioned at the beginning, this is one of the best 'Art Of' books I have ever read. It's going to be more expensive than other art books but, if you\u00a0save up, you wont regret it.\r\n\r\nYou can buy it on Amazon<\/a> or Book Depository<\/a>\r\n\r\nListen to our podcast on how much we love The Lion King<\/em><\/a>!\r\n\r\nHighlights<\/strong><\/h3>\r\n
\r\n
Links<\/h3>\r\n
\r\n
Find The Rotoscopers<\/strong><\/h3>\r\n
\r\n
Find The Hosts<\/strong><\/h3>\r\n
\r\n
Highlights<\/strong><\/h3>\r\n
\r\n
\r\n
Links<\/h3>\r\n
\r\n
Find The Rotoscopers<\/strong><\/h3>\r\n
\r\n
<\/a><\/li>\r\nFind The Hosts<\/strong><\/h3>\r\n
\r\n
<\/p>\r\n
<\/p>\r\n
<\/h2>\r\nCharacters<\/h2>\r\n
<\/p>\r\n\r\nMaking Of<\/h2>\r\nThis chapter is full of colors, shapes, layouts, and materials--basically everything you would want to know about the minutia of what makes this film unique. It showcases color keys at the bottom of the pages and has a few pullouts. We also get brief introductions to all the worlds and a different setting within The Land of the Remembered where the reunion scene was going to take place.\r\n
<\/p>\r\n\r\nLocations<\/h2>\r\nThis final section gives us a deep dive into\u00a0the film's backgrounds and the characters that fill in those backgrounds. More love letters to people like Picasso and even one of his favorite comedies, Mean Girls.<\/em> The whole book is such a perfect melding of Mexican heritage, Spanish tradition, and just the right amount of Aztec flair.\r\n\r\n
\r\nAfterword by Paul Sullivan<\/h2>\r\nIf it wasn't enough,\u00a0reading through the book from the directors eyes, a few words from the art director, Paul Sullivan, really put the stamp on the end. It's very obvious that Jorge's enthusiasm ignited a spark at Reel FX. Everyone felt like they were apart of something special. As you read, you can feel everyone's combined passion. It is tangible and permeates every page.\r\n
<\/p>\r\nPurchase<\/h3>\r\n
\r\n\r\nMost contemporary art books are broken up into sections like Characters, Locations, and the \"Making Of.\" They have come to be more of a companion book to go along with the movie. The Art of The Lion King is a little different because it is very sequential. Starting from the unforgettable opening scene, as you flip through, it is like you are reliving the movie itself.\r\n\r\nIt broken up into 5 parts. The forward is by James Earl Jones and then goes into Acts One, Two, and Three, concluding with the \"Afterword,\" a section about 30 pages long detailing behind-the-scenes stories and the main people behind the film.\r\n\r\n
\r\n\r\nThe book starts out with final key frames from the opening sequence. As the pages move on, it keeps your attention with a great mix of the final frames, story boards, concept art, and even excerpts from artists' work books. It's like walking through an art gallery. Every picture is chosen wisely and placed on the page with great care and purpose. With every page I felt like I was either learning more about the character or the animation that brought it all to life.\r\n\r\n
\r\n\r\nI love the way this book is laid out! Generally, it has one main focal point per page. Most of the time that focal point is larger and a variation of one of the more iconic images, which is then sometimes balanced by a few smaller pictures to the right or to the left that add interest and the desire to study each page. As seen above, even on pages where there is a lot to look at, color choices and lines help guide your eye to look at one place first, before you move on to see what else there is to discover.\r\n\r\n
\r\n\r\nI really enjoyed, author Christopher Finch's writing style. He tells the story simply and doesn't bring in too much text to take away from the art. He also knows how important the songs were in telling this story and lets the lyrics speak for themselves.\r\n\r\n
\r\n\r\nI feel like they way that it is broken up really shows the quality of storytelling and just how much of a masterpiece this movie was, not just for it's time but all time. Every page, you get sucked in and remember what it was like the very first time you saw these iconic images.\r\n\r\n
\r\n\r\nAfter about 165 pages of story we finally move into what we love about art books. In the last 30 or so pages, Finch does a fantastic job of letting you know who the key players and\u00a0crew members were. You learn of their thoughts and feelings and antics during the production. This includes the stories from their trip to Africa for research on design as well as techniques and challenges they faced back at home. It's a mini history with the amount of details that would be expected on platinum level Blu-ray releases.\r\n\r\n
\r\n\r\nI give this book a perfect 5 stars! I was overwhelmed with the beauty and specific intent behind every page.\r\n\r\n
\r\n\r\nAs I mentioned at the beginning, this is one of the best 'Art Of' books I have ever read. It's going to be more expensive than other art books but, if you\u00a0save up, you wont regret it.\r\n\r\nYou can buy it on Amazon<\/a> or Book Depository<\/a>\r\n\r\nListen to our podcast on how much we love The Lion King<\/em><\/a>!\r\n\r\nHighlights<\/strong><\/h3>\r\n
\r\n