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	<title>Persepolis Archives | Rotoscopers</title>
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	<title>Persepolis Archives | Rotoscopers</title>
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		<title>&#8216;The Breadwinner&#8217;, &#8216;Persepolis&#8217;, and the Power of Animation</title>
		<link>https://www.rotoscopers.com/2017/11/17/the-breadwinner-persepolis-and-the-power-of-animation/</link>
					<comments>https://www.rotoscopers.com/2017/11/17/the-breadwinner-persepolis-and-the-power-of-animation/#comments</comments>
		
		<dc:creator><![CDATA[Jonathan North]]></dc:creator>
		<pubDate>Fri, 17 Nov 2017 15:00:29 +0000</pubDate>
				<category><![CDATA[Indie-mation]]></category>
		<category><![CDATA[Opinions]]></category>
		<category><![CDATA[Indie Animation]]></category>
		<category><![CDATA[indie films]]></category>
		<category><![CDATA[indie-mation]]></category>
		<category><![CDATA[opinion]]></category>
		<category><![CDATA[Persepolis]]></category>
		<category><![CDATA[rotoscopers opinion]]></category>
		<category><![CDATA[the breadwinner]]></category>
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					<description><![CDATA[&#160; We’ve talked at length the past few days about how good The Breadwinner is, and how effective the story of Parvana is in its portrayal of the plight of many, if not most, Middle Eastern girls and women. However, as I was watching it, I couldn’t help but draw some parallels between it and [&#8230;]]]></description>
		
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